Posts Tagged ‘Hindu’
Some call him the elephant head, some call him the Remover of Obstacles. What is this fascination we have with the glorious Lord Ganesh, India’s mighty and most revered elephant deity? None can deny the charm of the thick-skinned behemoth, the largest animal to walk on land since the ice age, with its chunky tree trunk legs, its floppy ears and that ridiculous protrusion of a trunk. Legend of both the savannah and the big top, the elephant lends itself easily to fairy tales and folklore; but take a close look at the iconography of Ganesh and you’ve got a regular circus of mythological exegesis.
Ganesh stands out unmistakably among any pantheon of gods, with his prepossessing elephant head, that of an animal widely associated with long life, strength and wisdom, not to mention a perspicacious memory. The symbolism is fairly explicit, and the disproportionate size of Ganesh’s head suggests wisdom in every way. But a further look at the elephant noggin reveals more: his massive ears and his small, hidden mouth. Indeed, what could be a more universal indication of wisdom than to listen better and speak less? Proverbs Eastern and Western all point to this noble disposition. And when the face of wisdom has a nose like a 6-foot garden hose, we are reminded that wisdom is unremarkable without the virtue of good sense of humor.
Something about the face of an elephant, it never looks angry, never overly worried. And what good is wisdom, worldly or spiritual, without the ability to relax and laugh at your own shortcomings? Ganesh’s healthy, round belly reiterates this air of joviality. He is one who laughs often and enjoys life, not overly concerned with asceticism and self-abnegation, unlike many other religious teachers.
Now, for some deeper layers of meaning, let’s have a look at Ganesh’s busy hands. The Indian deities are notorious for their many arms and hands, and hands are such an essential and defining characteristic of man as a species. (Consider the linguistic root of words like manual, from the latin manu, for hand.) This many-handedness, for me, signifies the super-human status of the gods. Not non-human, as western theology often suggests, dividing us from them (or from Him), but more than human, possessing our vital characteristics, only more so.
Representations of Ganesh typically show him with four or six hands, and although depictions can vary quite widely (with up to 20 or more hands), there are a number of standard accoutrements that the deity generally carries. One hand always holds something sweet and delicious, and it’s often difficult to see what it is exactly—maybe a mango—but it tends to be in one of the lower hands, held near the belly and the end of the trunk. Materially, this signifies, like his jolly belly, Ganesh’s ability to enjoy some of life’s sweet pleasures. But spiritually, and more significantly, it suggests the sweet rewards of mental discipline, the kinds achieved through meditation and devotional practice. This divine delicacy, something reminiscent of the Manna from Heaven, is frequently held just below the trunk, where Ganesh seems to savor its aroma.
In the upper right hand, which we might reasonably consider to be the most important position, Ganesh is almost always wielding an axe. As with most images of destruction found in Indian mythology, this weapon is intended for chopping down evil and cutting it out of our lives. By evil, Ganesh really means to obliterate ignorance and illusion, the kinds of misunderstanding that lure us into cycles of suffering. Only by freeing ourselves from these fallacious paradigms, misconceptions about ourselves and the world around us, can we come close to finding enlightenment. The axe of Ganesh also serves to sever the bonds of attachment, the grasping and clinging. This attachment, to both objects and ideas, constrains us like chains, confining us to a narrow world view and preventing us from experiencing the world through clear, unfiltered eyes.
Across from the axe, in his upper left hand, Ganesh usually holds a rope. An implement of attachment, the rope would appear to act as a kind of counterpoint to the axe, suggesting the need to strike a balance between opposites. The rope is commonly identified as a yoke for leading an animal, which offers some interesting interpretation. Some say that Ganesh has harnessed an animal which leads him to his destination, underscoring the need to follow our passions in pursuit of our goals, again counterbalancing the axe which severs our desires and attachments. But I also see the rope as a tool for taming the inner beast, channeling the restless, primal energy and putting it to constructive use, the way our ancestors did when they domesticated the ox.
One more hand position worth mentioning, seen in the lower left hand of the Ganesh pictured above, is the open palm of protection. This virtually universal gesture of peace and providence can be found throughout the Buddhist and Hindu pantheon, as well as in the icons and images of western saints, including the Messiah himself. The protective hand reminds us of forces beyond our ken that guard our well being.
Another intriguing feature characteristic of many Ganesh masks and sculptures is the broken tusk, which can mean a few different things. One interpretation has to do with accepting the good with the bad, and not demanding perfection. The single broken tusk can also be thought of as the one flaw of an otherwise perfect figure. Consider Marilyn Monroe’s dainty mole, or more significantly, the limp or scar that often afflicts a mythic hero. There are also a couple of anecdotal explanations. One reports that Ganesh lost a tusk in combat with his father Shiva, and another explains that Ganesh broke the tusk off himself to use as writing tool in transcribing the epic Mahabharata as it was dictated to him by the sage Vyasa.
Various depictions of Ganesh include countless qualities and signifiers, but I’d like to finish by looking at one last element, his vehicle, the little mouse (or rat) typically seen scurrying around the god’s feet. The idea that the elephant uses a rodent as his vehicle strikes me as something like a zen koan, an irreconcilable riddle to be contemplated rather than solved. Like the the yin yang, and numerous other symbols and stories, this partnership leads us to consider the relationship between opposites, as we must learn to embrace light and dark, good and evil, great and small, together as one.
Furthermore, the mouse of legends and lore often acts a symbol for our thoughts: the squeaky, incessant sound from inside, that inner dialog that races back and forth across the floorboards of our mind. Try as we might, this inner soundtrack cannot be silenced. Likewise, the elephant may try and stomp out the pesky mouse, but his clumsy stumps are no match for a darting rodent. Yet, Lord Ganesh, with his superhuman cranium, has somehow managed to tame his thoughts, to quiet his mind, to control the seemingly uncontrollable. And that is the most divine feat of all. For thoughts are the forerunner of all things; our thoughts become our reality, so when we control our thoughts we control our world.
For an even more sophisticated interpretation, consider the rat. The rat is a pest, and we are pestered by our conscience. Our conscience speaks to us from the other side, reminding us of our transgressions and helping us distinguish between right and wrong. A healthy, well-developed conscience can guide us in our actions and our choices, and this guidance is the vehicle on which an enlightened creature moves forward.
Take a good look at the elephant god. Smile at his flappy ears and laugh at his dangling trunk. But also meditate on his wisdom and his mental prowess. Invoke him for strength and courage. Follow his example, learn to overcome the illusions and accept the contradictions, and soon you will be removing obstacles on your own.